The only way to describe Chrishell this season is that she’s like a professional athlete who watched game tape of her team’s latest loss. Who was going to start fights? Who was going to throw a burgers-and-botox party? Who would complain about the other women’s cheap shoes?Įnter Chrishell, the show’s reigning protagonist. The show was losing its most compelling star and its villain. The bigger question was if Selling Sunset would be fine. Her own series is certainly on the horizon. She published a book and goes to fashion shows and has become an Instagram darling. Quinn ultimately left the show, announcing her departure after the fifth season premiered in 2022.ĭon’t worry! Christine Quinn is doing fine. They seemed less and less keen to play along with her stealing clients or putting them on the end of one-liners like “only my tits are fake, I’m not fake.” They more or less isolated Quinn, minimizing the scenes they filmed with the queen bee. While Quinn created fantastic television, her antics appeared to wear on her fellow co-stars. Seconds later, she’d parlay that into talking about how the other women wear cheap shoes on their big feet. One minute she’d be accusing Chrishell of getting listings by flirting with the boss, and the next she’d be complaining how much her feet hurt in Louboutin stilettos. Those duties included wearing spectacular outfits, driving flashy cars, presenting an aspirational fantasy life, and an acute self-awareness. What made Christine such a force was she understood that her real job wasn’t real estate, it was being on television. There, alongside fellow agents Maya Vander, Mary Fitzgerald, Davina Potratz, and Heather El Moussa (neé Rae Young), they clickety-clacked on their laptops and in their heels, doing business. The only thing Christine and Chrishell had in common was that they both worked at the Oppenheim Group, a real estate agency that’s touted as the best agency for rich people who want to buy and sell houses in extremely affluent parts of Los Angeles. In wrestling terms, Christine is the heel, the villain and Chrishell is the face, the people’s hero. For five seasons, the two women were Christine Quinn, a glamorous and hilariously bitchy ice queen, and Chrishell Stause, a bright and plucky newbie. Like showrunner Adam Divello’s other famous series, The Hills, Selling Sunset has operated on a simple premise: Two beautiful women cannot get along and the city of Los Angeles isn’t big enough for the both of them. Thankfully, at least one of them figured out how to sell this new season. If I wanted something that peaceful, I would have invested in a saltwater aquarium.Ĭhristine left the show before this sixth season, plunging Selling Sunset into a sink-or-swim moment: find another villain within a cast of women that desperately don’t want to get their hands dirty, or watch the sun finally go down on this promising show. As pleasant as that is, that is not why people watch reality television. At the same time, Quinn’s co-stars were getting along with each other swimmingly - going to lunches, being happy for each other, smiling all the time. She played her role - being a beautiful mean Barbie for television - a little too well, to the point where the rest of the Selling Sunset cast began icing out the ice queen. The problem is everyone got too comfortable.Įvery reality TV show needs a villain and for the past five seasons that’s been Christine Quinn, the series’s platinum blonde antagonist. But for the past couple of seasons, my favorite reality show has gone wobbly. The hit reality show is, in actuality, a soap opera about gorgeous women and the friendships and light bullying they’re capable of, hidden beneath the gauze of big houses, sunshine, and Southern California B-roll.Īt its peak, Selling Sunset is premier ambient television: consequences are few, stakes small, and grievances extremely petty. To be honest, it’s also not really - as the show’s logline suggests - about Los Angeles real estate. Netflix’s Selling Sunset is many things, but it has never been about selling sunsets.
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